Renaissance and Baroque in Critical Theory
A panel to be held at the 5th Biennial conference of the Society for Renaissance Studies, University of Manchester, July 9-11, 2012
Proposals are invited for papers making up a panel on representations and appropriations of culture from the mid-1300s to the early 1700s by modern critical theory. Taking ‘critical theory’ broadly to include all those writing in the wake of Marx, Nietzsche, Freud and feminism, this panel seeks discussions of its passing remarks (such as those by Nietzsche and Lacan), sustained analyses (Bakhtin, Foucault, Kristeva), and more multifarious appropriations (Deleuze’s baroque) on and of Renaissance texts, culture and terminology.
Other welcome topics include the relationship or tension between readings of the Renaissance by critical theory and other differently-motivated forms of scholarship (Benjamin and the Warburg Institute, for instance), and assessments of the intervention critical theory can make in the situation of the study of the Renaissance today, or indeed, vice versa.
The panel will include a presentation by Herman Rapaport (Wake Forest University), author of Milton and the Postmodern, Is There Truth in Art? and Later Derrida
Applications of around 400 words should be sent to James Smith atrenaissance.drama@manchester.ac.uk by 01/09/11.
For further information about attending the SRS conference in 2012:
For further information on ‘Renaissance and Baroque in Critical Theory’ at the SRS conference 2012:
